Showing posts with label Leitz Table Top Tripod. Show all posts
Showing posts with label Leitz Table Top Tripod. Show all posts

Wednesday, November 06, 2019

Fun With Rocks And Mist (Again)

Well, what can I say apart from "the title tells all".
Two things I have learned from this exercise:

Don't trust BBC weather

and

Although the MWIS (Mountain Weather Information Service) forecasts are utterly superb, use your brain and eyes first.

Y'see there I was, all armed and ready to go:

" . . . maybe I'll be able to do Driesh AND Mayar all on the same hike - the low cloud looks like it will lift. BBC says none, MWIS says scattered and lifting. Let's DO IT!"

So I got my jaw-line all bristly and cragged-up and hit the path.
The path being The Kilbo - a really ancient path linking two glens, Doll and Prosen. 
It's really steep, but is the quckest way I know of being able to climb not one, but two Munros in relative ease.
I've been up there many times and in all weathers - the worst being with a massive haul of Sinar and all associated gear (an extra two and a half stone [including boots] which nearly ended me) the best was being able to climb both and skip home unscathed - mind that was a long time ago and all I was carrying was my Rollei T and The Screamin' Chimp (a Hakuba tripod with dodgy leg-locks . . it screamed like a chimp every time I operated it, hence the name).

Things, however, had changed; whereas before the entirety of the 'lower' path was forested (and also I might add very gloomy and not a bit scary at 6am of a Winter's morn . . you could feel the ghosts coming out of the woods to gloat . . .) - recent forestry work has denuded 90% of it.
I've no idea why they've left a large chunk at the top near the upper glen before the path starts to climb in earnest, but they have.
Anyway, this devastation evoked a real visceral reaction in me.
On one hand it was quite amazing to see the new vistas that had been revealed and on the other it was easy to be utterly appalled at the mess left behind by modern forestry.
To be fair to the Commission and the hard working guys and gals, it ain't an easy job, and I think what I reacted to was the bleached bones of tree stumps that were everywhere.
Everything looked different.



Dead Boulder


Anyway, before we get to the photographic meat and potatoes, just to guide your way from the comfort of wherever you're sitting, here's some vidjos (as they say in Glasgow) - they basically sum up the whole thing in 4 short snippets.
Please excuse me if my fizog breaks your device though - jings I look more like my Mum (with a beard) by the day . . . though to be honest that does a terrible disservice to my Mum who was smiley and beautiful - certainly nothing at all like the dishevelled tramp you see before you . . . .



On The Way Up



Further On The Way Up



UP!



Down


Oh go on then - here's a bonus vid for budding photographers - kind of a strange thing for someone to spend probably a fair amount of money on, don't you think? It looks kind of weird and incongrous in the landscape.

But it is an interesting project (and quite a good one I suppose - wish I had thought of it) you can read about it on this link:

 https://cairngorms.co.uk/photo-posts/

Thing is though, far be it for me to state it, but the road into the Doll could really do with some money spent on it . . . .




Super Bonus Vidjo
Rock Bottom


I do sometimes wonder about official bodies and their thinking though - I suppose they know better than us general public bods though - anything that engages some interest is a good thing I suppose, though tbh, Geograph (click on the green Geograph  . . . it's a link!) has been doing a similar and more thorough thing for years and years.

Oh, and NO, I didn't put the SW on it . . though this could be a project for that camera . . . 

Anyway, as usual I digress - on with the film.

What do you mean you can't be bothered looking at ANOTHER Contact Print?
OK, fair enough, leave your name and address at the door . . I'll be in contact later on.




FILM # 66/60
24/9/19
FP4 EI 50-ish

I only took the leica TTT!

1./ 1/8th f11 ZIII Boulder TT
2./ 1/15th f8 ZIII Boulder TT
3./ 1/15th f16 ZIII Hand Rest
4./ 1/15th f16 ZIII Rocks
5./ 1/2 f5,6 ZIII Gate Tree Rest
6./ 1/8th f8 ZIII Boulder
7./ 1/15th f11 ZIII Stump
8./ 1/30th f8 ZIII Boulder
9./ 1/30th f8 ZIII Boulder
10./ 1/30th f8 ZIII Boulder
11./ 1/15th f11 ZIII Boulder
12./ 1/30th f16 ZIII Boulder

All processed as usual in PHD, agitation to 14 mins, stand to 17 mins - it tamed the overexposure a bit.

I was travelling really light this time - a newly acquired Savotta rucksack - light but robust - inside it I had a Lowepro snooty massive telephoto/SLR case, which actually fits a Hasselblad 500C/M and 150mm Sonnar quite nicely. I was carrying the SWC/M though and that was as snug as a bug in a rug.
Tripod?
Pah,! nope.
I had the Leitz Table Top and Leitz ballhead.
As I've said before, it is surprisingly capable and adaptable, as well as weighing next to nothing.
I've also adopted the OpTech Pro Strap system for MF stuff. Why? Fully modular and very very comfortable to carry


Savotta Jakaari S Rucksack+Savotta SA-MPP Pouches
+ Tasmanian Tiger Pouch + Lowepro Toploader 70AW
+ Leitz TTT + Leki Wanderfreund Walking Stick.
Nice and Light even with 2 litres of water!



Hasselblad SWC/M + Leitz TTT In Action


This was about the lightest MF format kit I could assemble and I was looking forward to using it. It did seem a little weird taking a super-wide lens into the wilds, because everything is so far away, but it doesn't hurt to try and rethink things photographically every now and then - in fact, it's probably good for you.


Self Portrait With Knees And Mist (at 834 meters)
Coo, look at that bromide drag on the right!



At the height of 834 meters (2736.22 feet) I kept thinking the mist would lift, after all that was what had been predicted . . but did it? 
Certainly not. 
I sat for 45 minutes with my fingers crossed.
It was getting really cold too - mist can be like that.
In fact it was baltic, so faced with taking pictures of a wall of grey and getting a very soggy bum from sitting on a mix of grass and boulder, I took out the camera, had a butchers and took a very grey pic. 
Probably bang on a Zone V wouldn't you say?
Those are my knees btw - they're not stunt doubles. 
They're my boots too.
Anyway, after this I moved on a bit, watched two Mountain Bikists appear, chew up the ground and zoom off into a wall of grey, ate some food, shrugged my shoulders. Thought I should at least go to Mayar following the fenceline . . what was the worse that could happen? . . then thought that the whole reason I was here really was to take photos and there was little point if all there was, was dense mist.
I was getting a tad disgruntled, so I thought I'd be better spending my time taking photos back down in the forestry; in the interests of my sanity I turned tail and headed back down.

As I emerged from the mist, I could see beautiful, cloud-free peaks over by Bachnagairn and The Capel and then, two thirds of the way down (and quite a descent) the sun came out and the mist cleared completely . . them's the breaks with hills.

The air was bluer than this typeface . . . .

I looked back to where I'd been and it was lit by sunshine. So I chatted to someone coming up the way (hello chap my age from Montrose!) shrugged my shoulders and set my mind to taking pictures.

Hell Yeah!
YEHAAAAA!!
Photos.
Black And White Ones.
WAHOOOOOOO!
Locked And Loaded.
Gripped, Sorted . . .
 . . . Let's Off-Road

(Apologies to Action film and Fast Show fans for that last outburst . . . )


Exposed Boulder Pile Or Stone Tortoises . . . You Decide



So, on the way down, I encountered some weird rocks - they actually looked weirder than when I'd encountered them on the way up.
Magnificent aren't they!
I was so taken with their faces that I found it hard to concentrate on anything else.
This was my favourite shot of them - they look alive and lumbering.

If you've read FB long enough, you'll recognise the following . . or maybe you won't . .  anyway, this was taken with the Sinar and humble 90mm Angulon - the old press variety, not the super-duper Super Angulon.

The Sinar you say?
How weirdly synchronous . .
Yes, the last time I was photographically defeated by mist as well actually . . . some call it happenstance.

Anyway, back to the humble Angulon - its tonality is exceptionally good for such a cheap lens - I think it is the single coating tbh.


Same Pile From A Different Angle And A Different Camera And A Different Year


It is the same pile as the Tortoises, but obviously from above, rather than below - just look at the gradient of that slope!
I actually think that these might well have been placed in ancient times as a marker rather than being a willy-nilly dump from a Glacier - there's something about them that doesn't look natural.
Being just below the modern tree line, it is quite conceivable they could have marked the track even in the midst of ancient Pine; they're distinctive enough for a second look . . and under snow . . well, I think they'd keep you right.
This being said, glaciers don't half do some funny things to the landscape -there's some truly excellent descriptions and examples in this book published by the SMC:

https://www.smc.org.uk/publications/other/hostile-habitats

OK - £20 seems like a lot for a book, but it is a solid hardback, designed for years of reading - all my SMC books are like that.

Anyway, back to the 'tortoises' - it's sad to see that the forestry work has bumped the stones a bit and we've had a couple of falls and splits - I suppose it is inevitable with such large and powerful machinery.
But anyway, the stones are now awake and ready for the next 20,000 years!

That is, as long as people don't keep using them as a Fecal Evacuation Area . . UGH!

Oh yes, you can see it at frame 11 on the contact (not quite sure why I took a picture of it actually) - the remnants of toilet paper and possibly something else. I suppose if you have to go, you have to go, but personally I'd have been rather happy if one of the 'Tortoises' had moved at the critical moment . . . that would have been funny.

If it keeps on happening they're going to up sticks and move.

If you're a human and you really need in the great outdoors, make like a dog, bag it and bin it, and if you don't fancy binning it, chuck it in your neighbours garden. Failing that, make like a cat, get a stick from some of the devastated forestry work, dig a hole, fill it and cover it over.
Sheesh.
Some people.

If you're some Futurenaut reading this in a distant future when the messy ones have gone, remember to empty your waste at an official waste disposal station . . . I know, I've been telling them for years.


Dead Boulder


I took this further up the path on my way down - it was gloomy but the light was beautiful and (hold on, pretentious photographic description) quiet.

Actually, I really like this - somehow I've achieved something I have been after for a long time - WBT . . . Wynn Bullock Tonality!

If you're unfamiliar with the great man, please do spend some time looking at his photographs - they're often very beautiful and for me, of all the "Masters", his tonality really sings.

The stuff that looks like clover in the foreground, btw, is wood sorrel.
I scrumped a handful of it - it's refreshingly lemony in flavour and a real balm to the weary traveller. I also have it in my garden and often munch a bit when tidying stuff up - nature's bounty and all that - talking of which my entire garden has received a wild seeding of Curly Kale this year . . no idea where it came from, but I'm keeping it going till it seeds in the Spring, and then I can wild Kale the whole neighbourhood!



Kissing Gate (From A Dream With No Fences)


This was even further back up the path than the last one.
I was braced against a VERY POINTY tree - I couldn't be bothered taking my rucksack off (again) and fixing the TTT on, so I just braced, exhaled and prayed for around a half a second. 
It was really gloomy - I've printed it lighter just 'cos it looks better and you know what, nothing is supremely sharp because of very slight shake, however it has captured an atmosphere I find most pleasing. 
And yes, the deer fence has gone, as has the swinging gate bit, so it's like an archaeological find . . . well, it is to my mind.

The Biogon has rendered the really really out of focus bits beautifully - they're light and fluffy, not lumpy and clumpy and to my eye it has a certain pictorial quality whch is making me think in different ways of using the SW.

Anyway, these were all scans (800dpi) off of physical prints and you know, I think I have finally realised why prints simply don't look that great online . . . you're missing the surface of a real, hold-it-in-your-hand-and-cover-it-with-sausage-grease print!
The gloss (I nearly always print on glossy paper) imparts a lift and a certain 3-D aspect that scanning all but removes.
Maybe there's an app somewhere that can impart fingerprints and a "hold it there, no not there, it's gone all glarey, that's better, hold it" feel to all scans - if there isn't, there y'go, that's your next 100 million dollars . . .

And that as they say, is that. 
Hope you've enjoyed it, and bless you for reading - I rather like all this intensive detailing as it sharpens the memory and is more detailed than my notebooks. 
I've actually started saving Fogblog as PDFs . . just in case. 

If the whim so takes you, please feel free yourself.

I think I am going to have to remove the Ralph Gibson Experiment ones and put them as a separate link - goodness knows how they became so popular . . . seems everyone wants to be Little Ralph 👀

Now, where did I put that Paxo? 
The sprouts are on already and I've got a turkey to stuff. 
Christmas Day is approximately 7 weeks away . . wonder if they'll be done by then?

This Brassic FB endpiece is dedicated to long-time FB reader Julian . . or Mister Sprout as he might be known in an alternate Universe.


Monday, May 13, 2019

Archie Texture

OK - so I didn't know that this pun was somehow going to involve a royal babe at arms, but there y'go - might get a few more hits . . . and don't worry there's none of this Danny Baker foolishness - honest, see that Twitter man . . . fecking hell - I honestly think that it makes people believe they're untouchable and above everything.
Well, there y'go - he's a wee bit older than me and should really have known better.
This is after all the world of the non-gender specific Gingerbread Person . .

Seriously . . you didn't know?:


An eye opener isn't it, and certainly puts a new spin on the children's favourite:

 ". . . Run Run As Fast As You Can, You Can't Catch Me, I'm The Gingerbread Person . . . and if you do catch me, I'll have the rozzers on you so there . . ."

We've hit a point where you can't even say boo to a goose without a bunch of goose lovers telling you you're a total b'tard.

What a strange time we've created.

Anyway, what has that got to do with photography?
Exactly,  NOTHING.

Dreamland, V&A Dundee, Easter Morning 2019

So, here we go - I found myself needing to go and take some pictures. I also found myself using the last of my wonderful kit of Pyrocat-HD.
I'd got the kit from an Italian seller on ebay - a chap called Vincenzo whose shop was called

processialternativi 


if you click the link it'll take you to his shop - he's not doing Pyrocat at the moment though.
Anyway, I thought I'd look around and actually found a place in the UK doing kits - yes I could have ordered around £40 of raw chemicals and had enough to do me a lifetime, but having over-enthusiasticised the heating of the Sodium Metabisulphite last time, I thought I'd make it easy for myself.
So, Wet Plate Supplies it was - here they are:


Their premix was £6.99 for 100ml (in Glycol and Distilled Water no less).
I combined an order for 300ml with some other stuff I needed and despite the heavy duty postage price (they said it's because few carriers will carry chemicals these days) it promptly arrived and has sat waiting to be used.
But more on that in a minute.

Firstly, I was up and out by 5.40 AM on Easter Sunday.
I'm not a particularly religious person, despite my dark past as an acolyte, but arriving and parking up at Mary Slessor Gardens there was something in the air, and it wasn't water vapour, though there was squidoons of that. 
I was surrounded by peace, despite the higher than expected levels of traffic at such an early hour.
The Biblical statement: 

The Peace Of God Which Passeth All Understanding

rang loud in my head . . .  alongside Nigel Molesworth's Skool Dinner Grace:

"This Piece Of Cod, Which Passeth All Understanding"

Yep, Peace (with a capital P) was in the air and I genuinely felt optimistic for the world as I loaded a roll of nearly expired Delta 400.
My weapon of choice was the SWC/M.

The light was . . well, William McGonagall, a Victorian poet par excellence and a man way before his time (as indeed seems to be the case with a fair chunk of the Victorian population of this fair City) called the River Tay "Silvery" . . and it is at times and quite often, so before I go on, please take a dander through Mr. McGonagall's poetry . . you'll laugh and cry all at the same time:


Anyway, onwards and downwards as they say.
I was ready to go at a shade before sunrise, but pressed for time with regard to taxi duties, I set off at a pace.
How it went is seen here:

Film # 66/57





Oh alright, you did ask for them . . . here's my notes:

#66/57, DELTA 400 EI 200, 21/4/19

1./ 1/4, f8, ZIII MLU Wall
2./ 1/4, f8, ZIII MLU Wall
3./ 15 Secs     - - -   > 55 Secs f22 ZIII??
4./ 1/8th f8 ZIII
5./ 1/8th f8 ZIII
6./ 1/30th, f16, ZIII
7./ 1/8th, f16, ZIII Pool
8./ 1/8th, f11, ZIII Staffroom
9./ 1/30th, f11, ZIII Ugly
10./ 1/30th, f11, ZIII
11./ 1/30th, f11, ZIII
12./ 1/2, f16, ZIII


*NEW* PHD 5+5+500 22℃.
Agit 30 sec, then 4 per min, to 17 mins then stand to 21. No waterbath.

Very overdeveloped negs  - probably just finishing at 17 would do it.
Not sure how they will print, but eyeballing them just now they're dense, but totally readable - remarkable really


My erstwhile companion was this chap:




He looks perky doesn't he, especially on the photographer's friend, the Leitz Table Top Tripod.

I've banged on about the TTT before and whilst these days I tend to find anything with that red logo ridiculously over-priced, the TTT is reasonable AND sturdy. Really sturdy actually - you can easily hold a 500C/M on one - not only that, but in poor light conditions it really does make for a wonderful camera brace - highly recommended from yer Sheephouse.




That's my basic travel light SWC/M kit - it's a Think Tank Suburban Disguise 20, which fits the SWC/M and Lowepro bag (with light meter inside) inside the bag, or, I can also fit a 500C/M with 150mm Sonnar (and hood!) in the bag with the meter/lowepro combo outside. The TTT pops in the back pocket.
You can't really get more unobtrusive or lightweight/easy access. I rate the Think Tank bag too - it's well made with some thoughtful bits and bobs.

Anyway, I keep getting sidetracked don't I.

I just set off photographing anything that caught my eye and wandered along to the V&A, where I encountered a group of people (actually older ladies and a man) reading biblical passages and singing hymns quietly as the sun rose.

It was one of those moments when you could have removed all aspects of modernity and buildings and noise and suchlike and moved back several handfuls of centuries. 

The feeling was profound

Their emotion was subtle and raw and hung in the air with the water vapour.

I didn't want to intrude on their worship, so I passed them without photographing and moved a good way under the tunnel, dropped to the floor with the TTT, levelled the bubble on the top of the SW (not easy to do in such low light conditions) metered the walls for ZIII and got 15 seconds . . . which translated to 55 secs for reciprocity.


Easter Sunrise,  V&A Dundee, Easter Morning 2019


I rather like it - weirdly the folks stayed pretty still for 55 seconds!

The above is a scan from the print - not a great scan and not a brilliant print, but there's subtlety which gets lost on-screen.
The print was on ancient Agfa MCC fibre. Because of the over-exposedness of the negatives I actually printed this on Grade 0 (80 Y) and developed it in Kodak Polymax. 
It's had some selenium too. 
The one thing I would say, is it has done a Adams, and dried down to a dull thud - it is probably a combo of incredibly old paper developing a base fog and Grade 0. I might try printing this set again at a different Grade - they're all Grade 0 on this 'ere post.

Anyway, I moved through to the other side, took a picture which Bruce thinks I should have printed, and came back through as they'd finished.



End Of Praise, V&A Dundee, Easter Morning 2019


This is where the TTT proved its usefulness - braced against my chest, an 8th at f8!

Again I rather like this  - the light had lifted a bit and the signboard at the right hand side looks like some sort of serving robot.

Again the print is a tad thud-like . . . the missus just eyeballed both just now and said it looks better onscreen than it does in the flesh which says I need to up the Grade on any subsequent reprints . . . the power of a different pair of eyes!

The strange thing to me is that now they had stopped their worship and were just chatting, the atmosphere changed completely. I said Good Morning as I passed and got the same in return - one of them walked away towards the docks, and after I photographed frames 6,7 and 8, the rest scooted past me, hopped into a very small car (yep, all 5 of them) and zipped off somewhere at breakneck speed.

I carried on taking pictures of shapes - some of which I should really print - I'll maybe get a handle on that for a Part 2 - and finally finished the whole thing in the space of around 40 minutes, which I suppose says something.
Solo, photocentric trips aid concentration - you can throw yourself into the feel of a place and hopefully come away with something.

I developed the film on the same day with the new Pyrocat.
Interestingly, well, it was for me, on my home mixed stuff, when you added Part B to Part A, you went slightly grey, and then when you added water there was a distinctly bluey-grey hue to the solution.
With the new stuff, this was pinkish.
I should have thought twice about this, because when I'd been making up my original batch, I'd overdone the temperature in the double boiler and as such (I think) overcooked the Sodium Metabisulphite.
That would probably explain why my times were quite different from the online guides' times - anyway, I pressed ahead with my old (consistent) time and ended up with this:




OK, so no prizes won for composition, but anyway - they look pretty darn dense to me - how about you?
The density is really thick, but somehow, it has leant something to them. 
Were these developed in a non-staining developer, they'd have been perfect replacement frames for your sunglasses, but in Pyrocat-HD they've gone somewhere else, and in the case of the super-dense ones you can see at the top left, it appears to be dreamland.


V&A Dundee,   Easter Morning 2019


Well there she is, Goode Shippe V&A sailing out of a thick morning fog!
It's really hard to get an idea of the subtlety of the light on the hoardings (which conceal a wasteland reserved for who knows what . . . ah, typical Dundee!) from the scan of the print, but it is there, albeit in a thudlike manner.
There's definitely room for improvement on the printing front, but that's good - if you've nothing to push against you might as well put your trotters up, smoke a couple of cigars and congratulate yourself on how great you are.

And so I have saved my favourite print from this session till last, and I can't even describe what I like about it, apart from the fact that to me it looks like a scene from one of my dreams.



Dreamland, V&A Dundee, Easter Morning 2019


It's a combination of that bollard (writ tiny because of the extreme wideness . . . no not me you cheeky bugger) and the mysterious Z on the hoarding.
The bollard looks like a lost handbag to my eyes, and the super-dense-density has rendered the light in such a way that it has isolated the hoarding for its own mysterious purpose . . .

Bollards! I can hear you shouting and quite rightly - that psycho-babble is a load of old bollards.

It's an OK photo, that's what it is, and that'll do for me.

Well, it would do more for me if it was printed on a more effective paper - I reckon I'll use up some of my old super-rare Galerie Grade 2 (thanks Ilford - can't believe you consigned it to eternity)

And, that's it folks - more grist to the mill, and more fun had by me.

How do you cope reading about all this exciting stuff - it must make your lives seem:

Oh So DULL Dahling, yawn . . . 

Over and out till next time

Sunday, December 18, 2016

Working From One End To The Other (And All Points In Between)

Well folks, the festives are upon us again - so he's blocked up the chimley, nailed don't-land-here-bird-pokey-spike-things to every available landing surface and yer Sheephouse has been finally relaxing and imbibing plenty of Woods Old Navy rum and typing - and rather like an avalanche waiting to happen and thinking what the hell will he round things off with, he thought:
'Yes, dammit, heck . . . well, why not? A summary of the year . . . yesh, thash a good idea' (hic).

In much the same way, Basil Rathbone exclaims "My dear Watson, you astound me . . ." in The Adventures Of Sherlock Holmes (1939) . . . (none of this modern BBC stuff here, oh no, I like my Sherlock in tweed and pipe) so I wonder why I haven't done it before.

Ed's note: Look, I've had to read and re-read this a number of times . . . there's a lot of pictures, and it does come across like one of those yearly round-robbin (as in Look-at-all-the-wonderful-things-we-special-people-got-up-to-this-year) Christmas cards you used to get from folk at your Mum and Dad's church . . . but I don't think he means it like that. It's more of a kick up the pants to himself . . .
The Light waits for no man, and soon, very soon, the last glimpse you get of the world is that coffin lid closing and the flare of gas jets, so let it be more of a salutory, Dickensian-style, "Get Thy Finger Oot Whilst You Still Have Time."

Sub-Ed's note: Look this is supposed to be the Festive Season . . . it's not that bad, so grab a bagel and a cup of Java and let's get on with it!

I suppose the supposition is that the life of a blogger and especially one that writes about oooooo, photography, is an exciting round of gear, gottle-of-gear, adoring followers, Tweets from the WHITE HEAT of Photogblogging, Farcebook posts, more gear and people thinking you are the second coming of Ansel.
Well, I'm sure Bruce at the Online Darkroom would agree with me that it is nothing like that!
Us poor bunch ("poor bunch" being distinct from the whatsisnames and whatsisnames, you know who I mean . . whatsisname) tend to write about The Process rather than Yer Actual Gear.
Who gives a shit about how people actually use tools these days -  it's ALL ABOUT THE TOOL isn't it . . isn't it? Certainly seems that way from where I am standing.
But gear does come into it (to a greater or lesser extent) and I can completely confirm that acquiring new (old) stuff is an addictive and expensive buzz but also enormous fun and an integral part of what we do.
I think I've come to realise that I rather like having a ton of daft old cameras around - it aids the creative process, by giving things a new edge, and with the exception of my almost total neglect of 5x4 this year (and with around 250-300 sheets to use) I think I have explored the fringes of my wee collection quite well.

However, at the end of the day if you've nothing to show for it . . .

Anyway, maybe my idea of a summary isn't so good - yes I've bought a number of photographic aids this year, but if the truth be told I have done precious little photography and almost no printing - a lot of the stuff here is scanned from contacts (gasp!!) - to be honest I have not had the time to have a good darkroom session since around May.
That's appalling, but it has been my reality this year.
Never mind - what you'll get in what follows is periods of stasis and general other stuff, interspersed with intensive bits of creativity.
In fact so polarised is it, that I think my end of year report could read

" . . . Sheephouse . . . shows willing, could do better."

Anyway, here goes, hold onto your hats and watch a semi-creative year unfurl before your very eyes!


JANUARY

I started with optimism. Spent all my Christmas money, and more on an Arca B-1 ballhead, which was a total revelation to use along with the Hasselblad. Yes it was a few years old, and yes it came from the same family of the infamous Arca lockup (google it - plenty of info) however mine is a later model in which the problem has been sorted out (the PMF B-1) - it was boxed and in 'as new' condition from those lovely chaps at Ffordes and it grips heavy loads like a bulldog on your nadgers making using the Hasselblad a total cinch on top of ye anciente Gitzo Reporter.

Having just about survived Storm Gertrude (a neighbour's roof had a whole 3.5 foot by 1.5 foot Victorian chimney pot embed itself into it from about 60 feet up) I marshalled myself at the end of the month with an expired 2010 roll of Neopan 400, and went out on a dreich and overcast afternoon to produce this.

Film 66/18 - Expired 2010 Neopan 400 (EI 200) in 1+50 Rodinal. Hasselblad Panoramic Adapter


FEBRUARY

Took the M2 and Canon 28mm f3.5 to Edinburgh and took some snaps, but didn't develop the film for quite a while.


MARCH

(Almost) not a sausage done.


APRIL

Developed photos from February and a handful from March - to quote my diaries:

 "Total shite - worst photos I have ever taken"

See what you think (these are probably the best!):


Film 35/40 - TMX400 (EI 320) in 1+50 Rodinal



Film 35/40 - TMX400 (EI 320) in 1+50 Rodinal



Seriously thought about binning 35mm altogether.

Took the Hasselblad out and in a brief moment of Dad free-time I had a total blast with the Hasselblad handheld!


Film 66/19 - More Expired 2010 Neopan 400 (EI 200) in Rodinal 1+50


Film 66/19 - More Expired 2010 Neopan 400 (EI 200) in Rodinal 1+50



Had a rethink about 35mm and bought a super-cheap (sub £55) 28mm f3.5 Nikkor and an ancient CCS Gladstone bag (it was really cheap [30-odd quid] and in brilliant condition. It holds all my MF stuff comfortably and was a bargain compared to a new bag (CCS no longer exist, but their bags are stil laround - not made in the Far East, but here in the UK).
So it was that fully loaded and me and the missus off for a short long-weekend to my favourite place. It held the Hasselblad, Leitz Table Top Tripod, Rollei T AND the Nikon F3 with the 28mm Nikkor and a 50mm Nikkor as backup + notebooks, books, film, reading material etc etc - it's like the tardis of bags.


Action Man - of course, I could reveal my location, but then I'd have to kill you.




Film 66/21 -TXP 320 (EI 320) in Pyrocat-HD - eventually developed in May



Film 66/21 -TXP 320 (EI 320) in Pyrocat-HD - eventually developed in May


You can't get an idea of the sheer sharpness (and atmosphere) from these scans, even at 3200 dpi off of the contact sheet - take it from me they're SHARP AND ATMOSPHERIC!



Film 35/41 - Tri-X 400 (EI 320) developed in 1+50 Rodinal
It never struck me at the time, but these are like two Ents.




Film 35/41 - Tri-X 400 (EI 320) developed in 1+50 Rodinal




Film 35/41 - Tri-X 400 (EI 320) developed in 1+50 Rodinal

You know, for all the pixel-peepers say "Oh you've got to get the 28mm f2.8 Nikkor as it is soooo much sharper . . oooh, look at those pixels" the f3.5 is what the likes of Don McCullin and his 60's/70's compadres used and you know what - it is no slouch, especially on film.
A very cheap, solid, but decent performing lens!

There was a very good Scottish Photographers meeting at Alan and Sheila's in Perth at the end of the month - as usual, it was great to be able to talk and talk nothing but photography for an afternoon.


MAY

Bought a Pyrocat-HD kit off of eBay.

Had a fabulous time with the Hasselblad at St Andrews Botanical gardens, photographing their incredible collection of condensation, dried-on plant food marks (seriously!) and weird reflections in the hot-houses. If you're ever in St Andrews just go - one of the nicest Botanical gardens in Britain.
Vic the Hasselblad was handheld again - seriously - a total revelation about how to use a large, non-TLR, MF camera - I can imagine with the standard 80mm it would be even more of a joy to use.


Film 66/22 - TMX 400 (EI 320) in 1+50 Rodinal




Film 66/22 - TMX 400 (EI 320) in 1+50 Rodinal



Tested the newly arrived Pyrocat-HD kit on some sheet film . . hopeless results - operator error:



"What the feck is going on? . . Oh yeah, that's ANOTHER couple of quid down the drain . . . "
TXP 320 (EI 320) in Pyrocat-HD 1+1+100 - way too thin at that speed . . people used to say that about me!

Yeah I know I look like a Granny in the above - the lens was the 90mm Super-Angulon


Processed my MF films from April.


JUNE

Had been thinking about a Leicaflex as I so wanted to get a Summicron and it was the cheapest way, but after a few salutory emails from Ffordes about de-silvering prisms and an email from Bruce about perceived lens quality, I went mad, looked at as many old Leica photographs as I could find and finally bought myself a 35mm Summaron for the M2.
What a lovely lens - detailed in "Stepping Up To The Mark".
I tested the lens with a film I'd started using in the Nikon F back in mid-May, so I counted the exposed frames, rewound it and got back to the same point on the film in the M2.
Film was developed in P-HD. First two pics from Nikon end of roll, third a weird double 28mm Nikkor/35mm Summaron double exposure and fourth all M2/Summaron baby.



Tri-X 400 (EI 320) developed in Pyrocat-HD - 1+1+100




Tri-X 400 (EI 320) developed in Pyrocat-HD - 1+1+100




Tri-X 400 (EI 320) developed in Pyrocat-HD - 1+1+100




Tri-X 400 (EI 320) developed in Pyrocat-HD - 1+1+100




Holidays - hurrah!
I love UK-based holidays, because I can settle in to using where we are staying (usually caravans) as a base to explore the surrounding countryside and use my cameras to the point of exhaustion!
I took the Hasselblad and the M2 with the 35mm Summaron and loads of film. I've taken the 5x4 before, but (as detailed last year) using a changing bag is a total PITA, so this time thought, well why not use the Hasselblad for my 'serious' shots, and it worked a dream.

The Summaron shots were detailed in the post "Stepping Up To The Mark" from July and some of the Hasselblad ones are in "4K Burning Moggie" from September.

Here's some I didn't post:

FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100


You really do have to lose some speed with P-HD - EI 50 seems to suit FP4 well - my times and agitation were:
Constant and Gentle for 30secs
2 inversions per minute
Keep that going till 17mins, then let it stand to 20 mins.
Temperature was 20 degrees


FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100
This was taken at twilight, wide open.




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100



FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100



FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100




FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100



FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100



FP4 (EI 50) - developed in Pyrocat-HD - 1+1+100


I'll nail my trousers to the mast here and say that the 35mm f3.5 Summaron has that vintage look in spades - it's sharp, it's creamy, it's got GREAT (but subtle) contrast and above all it's damn pictorial - there's a pleasing quality that I haven't found with any other lens.
Just wonderful.



JULY

Despite showing the pics from June last month, the holiday ones were processed in July . . carefully!


Went for a 12 mile hillwalk, carrying no camera gear but the Leica M2 and Summaron and Leitz table top tripod - it was a revelation and I rather like the cut of the jib of a Summaron as a landscape lens - a joyous tool to carry and use and as I've said before, want a reliable companion tripod but can't be bothered with a big 'un? get a Leitz table top - brilliant wee things.


Loch Esk
Film 35/46 - TMX 100 (EI 50) - Pyrocat-HD 1+1+100


The Sedge At Loch Esk
Film 35/46 - TMX 100 (EI 50) - Pyrocat-HD 1+1+100



 
Leica M2, Leitz 35mm f3.5 Summaron, Leitz Table Top Tripod




The Mythical Wild Man Of The North (caught in reflective mood)
Film 35/46 - TMX 100(EI 50) - Pyrocat - HD 1+1+100


Film 35/46 - TMX 100 -PHD 1+1+100, EI 50

And this is what Storm Gertrude did to a bridge in a glen back in January - the bridge was solid as a rock, but nature had other ideas!

The flat concrete bit is bolted to a boulder that must weigh a couple of tons, the bridge was bolted to the concrete with concrete piers too. All gone - I kind of wish I'd been there to see it.


Ed and Sub-Ed's note: Non-photographic, essential stuff coming up.


Discovered my chimney was in a state of disrepair . . . basically the flue for the old boiler that was present when we moved into the house, was a steel pipe, dropped down an (unknown to me) chimney. The flaunching (a word I'd never heard till this year) had perished and basically the top of the chimney was wide open to the elements! OK, so it's an old (1888) chimney and has been dealt with in an awful way by intervening generations . . so, me being me, and bouyed-up by last years use of hairy lime putty to bed in my front windows, I started investigating and reading and eventually got some NHL (Non-hydraulic Lime) 5.
This is lime, the stuff they used to use before cement ruled everything - it's a time-consuming but benevolent mortar mix. It is also hydroscopic, so unlike cement (which is utterly waterproof from both sides) lime mortar allows moisture to pass from its interior to its exterior! This was just what I needed considering the fabric of the chimney stack had become damp.

Eek! Slate covers old chimney and flue is below.

So, work was required, and that meant me!

AUGUST

After a quiet statement to myself of "Holy Bungos" I got started and rebuilt the exposed part of the stack with the NHL - I used a premixed version from Conservation lime - it was very nice stuff and really does improve your muscle tone trying to mix it!
The hardest part was stopping it drying out too quickly in the really hot weather we were getting so I was hopping up the ladder three times a day with my plant sprayer and spraying it down and then covering it over.
With lime they recommend you use hessian sacking to cover it with because it stays moist, however I didn't have any so had to make do with painters exterior masking tape (the orange stuff) and those giant blue Ikea bags which are really rather good.
Anyway after 8 days of this regime, I was ready to expose my work. And it seemed to have dried fine, it is however no wonder modern builders rarely use it - it's so time-consuming, and these days no one has the time do they?
Anyway, at the same time of doing this I thought I'd use a roof coating to go over the felt. We have about 18sq metres of flat stuff - and economy was the name of the game; so after HOURS of debate and study I settled on a product by Scotch/3M called Scotchkote. It is a range of coatings, all designed for industrial purposes - they're breathable and come in a range of systems ranking from 5 year before first maintenance right up to 25 year! I was impressed by this and also by some feedback from industrial roofers, so I put my money where my brain was.
I went with the 5 year (Polytech LS 657), because it was the most economical.
But this ties into next month . . so . . and still no photography done . . .


Flue still there, but now upper section is rebuilt with lime.


Oh and I liberated some pensioners of their pocket money, went mad and bought myself a guitar.


SEPTEMBER

Well, what a beautiful month! The weather was something else at the start.
I chickened out at the thought of taking film through an airport, sold the Canon EOS and used the funds to buy a Sony A6000 and a Metabones Nikkor adapter, seeing as I have tons of Nikkors lying around like leaves off a tree . . . 
And guess what . . another holiday!
This time we scraped together all our spare change, robbed a few more pensioners and flew to Amsterdam and then by train to Brussels.

The shots were detailed in "Ogden's Not Gone Flake" published in September, but here's a few more.


Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

Film 00100111001 - Sony A6000 + 35mm f2 Nikkor-O

They're two outstanding European cities with different (yet similar) cultures but they are friendly and beautiful places and so very different from the a-typical views people have of them:

Drugs and sex - Amsterdam
Boring - Brussels.

I took a lot of photographs with the non-PC Sony A6000 and a 35mm Nikkor-O.
OK - it's not film-based, but you know what, I was happy to use it and think the results are really excellent, though I've not printed a single one.
The Sony and ancient (1971) Nikkor give a colour quality that pleases the hell out of me - very 1970's but very crisp too.

During our holiday I replaced my blood with Belgian beer and felt better for it. I've been a beer enthusiast since well before the word "craft" came into the language and it pleases me to see so many guys brewing their own and starting micro-breweries. I did my own proper, non-kit home brewing back in the 1990's, but discovered I couldn't even touch the likes of Westmalle and Samuel Smiths, so gave up . . 

Came home and cleaned out the loft - an epic job.

OCTOBER

We got back, and the weather changed to 'orrible and rainy, so I steeled myself, waited for some decent weather (not so easy when all you have is weekends) and then started in earnest on coating the roof.
If you can imagine painting an unwilling, very hairy cat onto a flat surface, then that is what it was like, but it's all about technique and I got there.
It's pretty damn marvellous stuff too - you can apply it in falling rain and down to 0 degrees, though this isn't to be recommended from the applicator point of view -  we did have our first frost in October and kneeling in ice and applying stuff like this is not to be recommended - doesn't half make your joints ache!
It was a heck of a job, two coats and an embedment mesh in places too - got there though - phew!



The bit on the left in grey and white is my work - this was taken from the window of a flat for sale next door.

Near the end of the month an excellent package from Omar Ozenir arrived containing both copies of his self-published photo-journal Gözaltı.
It's great stuff and highly recommended - you can find it here - tell him Sheephouse sent you.

Re-discovered that I really love playing the guitar - it has been a 20 year break, as in nothing done, for 20 years, which, if you know me is highly unusual.
Basically looking at it with the benefit of hindsight, I think I stopped because there was nowhere else to go.


NOVEMBER

No real photography done, just a wee tickle out at dusk around the graveyard with the Sony

Film 00100111001 - Sony A6000 + 50mm f1.8 "K" Series Nikkor


DECEMBER

And the same again.
There's a roll of FP4 in the M2, there's film in the fridge and I just need time.
I am on holiday for Christmas so hopefully there should be some full-on camera usage going on!


And tha-tha-tha-that's all ffolks - I hope you found that interesting and not too dull -despite the lack of vast amounts of stuff, at least I have been trying to do stuff, with only commitments and lack of time getting in my way. Next year I am planning on doing more.

So can I, on behalf of yer Missus Sheephouse and Alex Turnips too, take this opportunity to wish you and yours all a fantastic Christmas and an even better 2017 and for the world, a little peace perhaps, that can't be too hard can it, not if you really want it to happen.

I'll leave my final thought to Bruce Cockburn from 1971's "Sunwheel Dance" and the track "Going Down Slow":

God, damn the hands of glory
That hold the bloody firebrand high
Close the book and end the story
Of how so many men have died
Let the world retain in memory
That mighty tongues tell mighty lies
And if mankind must have an enemy
Let it be his warlike pride

Let it be his warlike pride


Take care, be good and remember to keep eating your peas.